Synopsis
NO BEARS portrays two parallel love stories. In both, the lovers are troubled by hidden, inevitable obstacles, the force of superstition and the mechanics of power.
Trailer
Press
"A complex work of novelistic density, this is among the boldest and most accomplished statements from one of the world’s exemplary filmmakers...No Bears couldn’t be more powerful as a statement of ethical seriousness, tenacity and defiance towards the bears, real or imaginary, of fear".
Screen International
"When the definitive book on dissident filmmaking is written, it will have at least several chapters and a lengthy appendix dedicated to Iran’s Jafar Panahi…inventive Illuminating autofiction builds to a tragic new twist"
Variety
"Jafar Panahi is a humanist, fascinated and forgiving of the world. He has, moreover, the instincts of an entertainer. The string of films he has made in the 12 years since he had his hands tied are sharply perceptive, but funny…
Deadline
Which doesn’t mean that we should not be angry on his behalf. He’s in jail.
That really is a crime".
"This artful telling of parallel narratives that intersect with Panahi facing the cost to himself and others of making films under an oppressive regime — completed before the director’s latest legal troubles — would be a forceful statement even without the limits imposed on his freedom....The one remaining certainty is that Panahi is among the world’s great filmmakers refusing to be silenced by authoritarian rule."
Hollywood Reporter
“Don’t miss “No Bears,” a haunting, sorrowful story about being and belonging, place and displacement…Here, borders are at once imagined and terrifyingly real…Buying a festival ticket isn’t a form of political protest, yet supporting art can be a soulful, mind-expanding human endeavor and an expression of hope — and, in this case, a gesture of solidarity — and it would be gratifying if each of the remaining screenings of “No Bears” were to sell out”.
The New York Times
"The film is not a simple cry for artistic freedom. As in his other films, Panahi portrays himself as a stumbling avuncular figure who inadvertently causes harm. His artistic mission has consequences that ripple outwards, disrupting the lives of others as well as his own. Given Panahi’s own real-life suffering and repression, it is a testament to his integrity as an artist that he looks so critically at himself and so empathetically at those who are indifferent to, or might even support, his imprisonment. The final shot is a heroic acceptance of responsibility and a refusal to flee, made all the more poignant by the director’s subsequent real-life incarceration with a sentence of six years".
Sight & Sound
"Lovingly-crafted autofiction…bypasses the overbearing melancholia...once again tapping into the welcome use of humour... Life, as they say, goes on, and No Bears observes people toiling away at existing while Panahi wrestles with the existential, this juxtaposition providing the cleverly timed comic relief that aids his witty social commentary".
Little White Lies
"The Iranian auteur crafts what might be his most powerful work yet in exil...Even a filmmaker, hounded and deprived, can make startlingly incisive art. Even a political prisoner cut off from it all can make his voice heard all around the world".
The Wrap (Ben Croll)
"Jafar Panahi is one of those critics who has firmly stood by his convictions and paid a heavy price throughout his career. As a filmmaker and a political activist, he has clearly shown that he is not afraid of the bears that don’t exist. In fact, his unwavering will has never been more visibly on display than now that he is confined again to a prison cell detached from the world as the world is celebrating his art, and his courage".
Indiewire
"Simple but militantly engrossing ‘No Bears’ comes to grips with the thin line between art and reality"
The Film Verdict
"Every new Jafar Panahi movie feels like a small miracle... This may be his best and most defiant work from this period. It’s also the most poignant".
CNN
"Simple but militantly engrossing ‘No Bears’ comes to grips with the thin line between art and reality"
The Film Verdict
"A masterpiece"
The Rollingstones
“A work of astonishment!”
Roger Ebert.com
Festivals
& Awards
Special Jury Prize
Special Presentation
Main Slate
Silver Mirror
Precious Gem
Cinematic Bravery
New York Film Critics Circle
Special Award
ZURICH FILM FESTIVAL
BFI LONDON FILM FESTIVAL
MONTREAL NEW CINEMA
BUSAN INTERNATIONAL FILM FESTIVAL
VALLADOLID INTERNATIONAL FILM FESTIVAL
MOSTRA DE SAO PAULO
(FICCALI) CALI INTERNATIONAL FILM FESTIVAL
FESTIVAL INTERNACIONAL DE CINE DE MAR DEL PLATA
THESSALONIKI INTERNATIONAL FILM FESTIVAL
LOS CABOS INTERNATIONAL FILM FESTIVAL
LJUBLJANA INTERNATIONAL FILM FESTIVAL
TALLINN BLACK NIGHTS
(FIDOCS) FESTIVAL DE DOCUMENTALES DE SANTIAGO
LIMA TRANSCINEMA
BERLIN AROUND CINEMA IN 14 FILMS
WORLD FILM FESTIVAL BANGKOK
SINGAPORE INTERNATIONAL FILM FESTIVAL
MARRAKECH INTERNATIONAL FILM FESTIVAL
FILM FESTIVAL DRITTI UMANI (LUGANO)
BERGEN INTERNATIONAL FILM FESTIVAL
VIENNALE
HONG KONG ASIAN FILM FESTIVAL.
KLIKFILM WORLD CINEMA WEEK JAKARTA
TOKYO FILMEX
LA AFI
SAN DIEGO INTERNATIONAL FILM FESTIVAL
CINEUROPA, SANTIAGO DE COMPOSTELA FILM FESTIVAL
JOGJA-NETPAC ASIAN FILM FESTIVAL (JAFF)
GÖTEBORG FILM FESTIVAL
FILM FESTIVAL OSTEND
Cast & Crew
Jafar Panahi | Jafar Panahi |
---|---|
Naser Hashemi | Village Chief |
Vahid Mobaseri | Ghanbar |
Bakhtiar Panjei | Bakhtiar |
Mina Kavani | Zara |
Narjes Delaram | Ghanbar’s Mother |
Reza Heydari | Reza |
Writer, Producer and Director | Jafar Panahi |
---|---|
Director of Photography | Amin Jafari |
Special Advisor | Nader Saeivar |
Supervising Sound Editor and Mixer | Mohammadreza Delpak |
Sound Recordist | Abdolreza Heydari Iman Baziyar |
Editor | Amir Etminan |
Line Producer | Nader Saeivar |
Set Design | Babak Jajaie Tabrizi |
Visual Effects | Hamed Mousavi Saadat Bastan |
Line Producer ( Turkey ) | Sinan Yusufoglu |
Costume Designer & Make-Up Artist ( Iran ) | Leyla Siyahi |
Costume Designer & Make-Up Artist ( Turkey ) | Ulker Chetinkaya & Sechil Kapar |
Technical Sound Engineer | Alireza Nekoolal Tak |
Sound Editing Assistant | Seyyed Reza Godazgar Mohammad Zaman Sani Alireza Dabbagh |
Camera Crew | Sajad Barati Amir Mohebati Ali Jafari Sarhat Akram Ashchi |
Studio Sound re-Recording Mixer | Shahin Khakpour |
Sound Editing Crew | Seyyed Reza Godazgar Mohammad Zaman Sani Alireza Dabbagh |
Boom Operator | Salar Salimi |
Interpreter | Toufan Garekani |
Sound Editing Studio | Beygom Studio |
Location Manager | Huseyin Koken |
Music Recording | Imaj Studio Tabriz |
Production Assistant | Saman Iranzad ( Iran ) Parinaz Mehri ( Turkey ) Goksel Tuzun ( Turkey ) Aliye Tuzun ( Turkey ) |
Post-Production | Pooya Abbasian Ashkan Mehri |
Catering | Robab Saeivar |